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Israel Eliraz- Here-s a Different Levant

3 Feb 1999
 The Israel Review of Arts and Letters - 1998/106
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  Here's a Different Levant

Israel Eliraz

1

What should I do
with the white here
at the hard edge of Asia,

repeatedly born and exploding
from the chalk of the curly mountain?

And who says
for the umpteenth time:

"that's how it's been
here forever"

and doesn't explain the "here forever"

rises, locks and the door
stays open behind him

2

Here's a different Levant.

Don't stoop under, don't
cross over, don't

shut the eye
placed in the valley of the eye

that bears the heroic
material, which split

from itself toward yourself.

Stand completely silent
as in mid-flight

and if you reach out
toward the small incidents

don't say any longer: I was a child, there was a fire.

"Learn your place
from the green world"

3

A man passes and says
a word

or
two and knocks
on the tree shut
within the tree

that pursues him,
clings to his clothes.

The man sings and the youth sings. The man
cries, of whom does he cry?

That's what there actually is
and there's silence

cunning of the Levant
filled with ears like a burning mat.

That's the Galilean silence that
follows the man

who told us something about
the world and ourselves and left

on some path that we didn't
think of before

4

The anarchic slope
near Peki'in projects

shapes from which no beams of a new
religion can be made.

Goats approach the
laid out table and eat

everything, even my hand
extended towards them,

turn up covered stones,
brimful with the here.

It's rumoured a wise tiger was seen
descending for a while then re-ascending

to vanish in the quarry
as a strip of light.

An hour later:
the grass is still restless

5

And what do you suggest
apart from entering

into the flax of details
and exiting?

To look
pencil in hand
(without knowing whether I'm within or without)

like a child who turns the world
over in the morning

to find his shoes
under the bed.

And this white movement hasn't
anything to stand on apart from

the virtuoso line
of the eye showing us a way

and the hand with its five
things holding on
to itself as if close to waking

6

Now, these very
days, it's time to ask:

up to where in this vivid
lost clarity

must we arrive, between
terrestrial and infinite,

in order to know
we've arrived?

What is this soft mute
anonymous thing that makes

of the trace of fire in the air --
eye, mouth, message

behind the dusty back of the white Levant?

Once again to ask:
"What of this radiant land?"

Translated by Gabriel Levin


Israel Eliraz, poet, librettist, playwright and literary critic, was born in Jerusalem in 1936. He has written 12 volumes of poetry. Since 1968 his collaboration with the Israeli composer Josef Tal has resulted in some six opera librettos and numerous other works.

 
 
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