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MFA     Int'l development     1999     Report - Colombia

Report - Colombia

26 Jan 1999
 SHALOM MAGAZINE, 1998 Issue No. 1
 FROM  THE  EDITOR |  PEOPLE  TO  PEOPLE |  RURAL  DEVELOPMENT |  AFRO-  ASIAN  INST. |  COSTA  RICA |  NEWS |  CINADCO |  PARENT  INVOLVEMENT |  EMS |  CATARACTS |  ON  THE  SPOT |  REPORTS |  BRAZIL
 
     
Report - Colombia
 
    It is a pleasure to receive Shalom Magazine, which always brings new reports and experiences full of love and commitment. To receive Shalom is to fill one's heart with happiness and hope.

I would like to share with you a recent publication we issued about teaching the "tiple" - a native Colombian musical instrument.

The Medellin School for Popular Arts is an institution dedicated to teaching dance, music, theatre and plastic arts, based on our national folklore. The school, which educates children, youngsters and adults, is a unique project in Colombia and it has been revitalized based on all the philosophical principles learned at Gold Meir Mount Carmel International Training Centre in Haifa.

We, the graduates of MCTC, try to bring into our daily lives all the experiences acquired in your beautiful and unforgettable country.

Shalom,

Lucia Velez Garcia
MCTC, 1982
Director
School for Popular Arts
POB 095987
Medellin
COLOMBIA

About the School:

During its 30 years of existence, the goal of the School for Popular Arts has been the integrated education of students in the areas of dance, music, theater and plastic arts. We use an approach based on folklore in order to revitalize and value our national and regional cultural memory and to strengthen the students' identification with it so they can contribute to the social and cultural development of our country via artistic-pedagogic projects based on Colombia's history and popular culture. We work on the development of the teacher/artist who will be able to fulfill his or her profession from the pre-school to the university level.

The School for Popular Arts is an educational institution attached to the Department of Education and Culture of the Medellin Municipality, and we have 3,500 students participating in various programs:

Primary School of the Arts: A program designed for children from 7 to 10 years old, where they receive specific training in dance, music (they learn techniques for playing the guitar and the tiple), theatre and plastic arts.

Workshops: A weekly program on Saturdays for ages seven years and up. This is a specialized five-year program. The seven-year-olds begin with an introductory year including an extracurricular program where they get acquainted with the various basic subjects offered by the school. After this first year each student chooses his preferred field of study, commencing a four-year training.

These youngsters then form groups, are group leaders or dedicate themselves to the professional improvement of their chosen art.

For adults, the School for Popular Arts offers a professional program to acquire a master's degree in dance, music, theatre and plastic arts, in conjunction with the Pontificia Bolivariana University.

Special courses in non-formal education are offered for a period of three semesters for children, youngsters, adults and the elderly.

We believe that only the enjoyment and systematic performance in the arts can achieve the transformation of people into sensitive, caring and creative beings.

About the Book:

Methods in the Tiple, by Elkin Perez Alvarez, with an Introduction by Luis Perez Gutierrez, former Secretary of Education of Medellin's Municipality (1994-1997), former Rector of the University of Antioquia, and present mayoral candidate for Medellin's Municipality.

Introduction More Music for the Schools

There is senseless estrangement between the school system and culture. Both move in different directions contradicting the principle that school is the first cultural space of society, and the teacher the great mediator of collective culture.

A consequence of this estrangement is the almost total disappearance of music from the schools' curricula and a lack of musical sensibility in society as a whole. When the educational system intensely stimulates music appreciation, all society will be delightfully "contaminated" by musicians and music. A possible explanation for the reason we experience so many severe communal conflicts can be that we have created communities cut off by denying youngsters the essential element of music. No human being who lives music can be violent.

This method of teaching the tiple intends first to restore its beautiful sounds and bring it back into the school. Learning the tiple has the double purpose: it serves as a practical approach to studying music and in the process an instrument that is part of our most profound feelings and of our own essence is restored. When we hear these exquisitely orchestrated sounds emanating from the tiple, we feel emotion and pride in this noble instrument.

We hope that this book by Maestro Elkin Perez Alvarez will amplify the beautiful sounds of the tiple .

About the Tiple:

The tiple is a fundamental part of Colombia's social and cultural life. It is an original, independent creation of the central region of the country at the beginning of the 19th century. Since then it has gone through many changes. Although ignored by many dictionaries and catalogues, the Colombian tiple has many unique characteristics that place it apart from other string instruments. Unlike other instruments of the colonialist period, the tiple is an authentic product of the popular expression of the Republic of Colombia. From the time that the Colombian tiple appeared in the history of the country, music and dance became more defined. It is impossible to separate the tiple's brilliant sound from the artistic context, so familiar in the vast majority of our works of folklore.

 
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